Alexis Rubell's Senior Vocal Recital
A partir du constat d’un saut qualitatif dans la fabrication des séries télévisées contemporaines, ce texte questionne l’autonomisation du matériau filmique des 'drama' à travers l’organisation de leur temporalité. Ces séries offrent en effet une réflexion politique qui porte sur le sens du temps collectif. L’hypothèse est que le temps mis en scène...
Published in The Journal of the Acoustical Society of America
Seven male operatic singers sang the same notes and vowels in their chest and their falsetto registers, covering the overlap frequency range where two main laryngeal mechanisms can be identified by means of electroglottography: M1 in chest register and M2 in falsetto register. Glottal contact quotients determined using electroglottography were typi...
Katelyn Holliday performed her senior recital in partial fulfillment of the requirements for a Bachelor of Arts in Music on January 12th, 2013. The repertoire included works by George Frideric Handel, Wolfgang Amadeus Mozart, Hugo Wolf, Robert Schumann, Gabriel Fauré, Ricky Ian Gordon, and Antonín Dvořák .
Published in The Journal of the Acoustical Society of America
The first two vocal tract resonances (R1 and R2) of 22 classically trained sopranos, altos, tenors, and baritones were measured while they sang four different vowels over their normal pitch range. The resonances of the tract and the harmonics of the voice were measured simultaneously by injecting a broadband acoustic current into the tract at their...
Twelve sopranos (4 non experts, 4 advanced, 4 professionals) produced glissandi up to their highest note (from 1000 to 2300 Hz). Later, they sustained pitches on [a] vowels, from A4 (~440 Hz) to their highest sustainable note. Between C5 and G5, all singers demonstrated a significant decrease in amplitude of the electroglottograph signal with incre...
Music score and audio recording of: Cycles Interrupted by Christopher DobrianFor soprano, tenor saxophone, and piano.Acoustic chamber version of the 2006 computer music piece of the same name.Recorded in 2007 by Tamara Matthews, Matt Olson, and Daniel Koppelman
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