Tema magistrske naloge je odkrivanje in analiziranje povezave opere z multimedijskimi napravami. Poudarek sloni predvsem na povezavi opere in televizijskega medija. Kronološko se sprehodimo skozi 20. stoletje in se osredotočamo na določene mejnike v povezavi opere in televizije. Omenili bomo tudi nastanek novega žanra, ki se je razvil ob povezovanj...
Published in Review of Artistic Education
A musical inspiration, the opera La Cenerentola by Gioachino Rossini offers a wealth of examples of how to capitalize on the vocal and musical potential offered by the opera show. We aim to analyze vocal ensembles and to emphasize their musical and dramaturgical. realization.
Abstract: On 25 May 1849 Vincenzo Bellini's opera Norma was premiered at the Teatro de la Victoria in Buenos Aires. It was performed four years before the downfall of Juan Manuel de Rosas, Governor of Buenos Aires for more than 20 years, in what it has been considered in Argentine historiography as a ‘terror regime’. The success of the opera combin...
Published in Artes. Journal of Musicology
The Romanian opera and operetta repertoire is a constant objective in the Opera Class of the Faculty of Performing, Composition, and Musical Theoretical Studies in “George Enescu” National University of Arts from Iași. The stylistic diversity and the richness of the drama make not only an important instrument for the study out of it, but also a mor...
Tracking how red foxes have been constituted by humans though sound, specifically through articulations of voice, this project locates the fox as a liminal figure in the Western cultural imaginary, subject to conditional appraisals of personhood. Interpreting three disparate cultural sites wherein red foxes come to be “voiced” by humans – via repre...
Absolute war, total war, world revolution: the nature and scale of the global conflicts that took place around 1800 have been explored (and contested) both at the time and ever since, and recent scholarship has begun to resituate the literary, visual, and theatrical art of the period within this landscape of perpetual conflict. Opera historians, th...
The aim of this paper is to analyze the rewriting of Dido’s myth by Giovan Battista Busenello, the librettist of the first opera named after the queen of Carthage. The imposing regality of Dido and the highly dramatic tension of the Aeneid are absent in Busenello’s libretto. Interestingly, if in the fourth book of the Virgilian poem Dido kills hers...
The Original Portrayal of Mozart’s Don Giovanni offers an original reading of Mozart’s and Da Ponte’s opera Don Giovanni, using as a lens the portrayal of the title role by its creator, the baritone Luigi Bassi (1766–1825). Although Bassi was coached in the role by the composer himself, his portrayal has never been studied in depth before, and this...
This study investigated the implementation of arts-in-healthcare programming in the 2019-2020 season by opera companies in North America to generate data on the current state of the field. An online survey collected data regarding this programming and the resulting partnerships for a sample population of 67 opera companies, of which 28 provided mus...
The rejection of Boris Godunov for the lack of a female part led Modest Musorgskii to revise the opera to include the historical character of Marina Mniszech. The resulting “Polish” Act has been received with mixed feelings. Bias against it is one of the reasons behind the contemporary surge of interest in the original 1869 version of the opera, as...
