2005 – 2015 Zehn Jahre Institut für Ökumenische Forschung Hermannstadt, Lucian-Blaga-Universität Hermannstadt/Sibiu
Published in Review of Ecumenical Studies Sibiu
Published in Review of Ecumenical Studies Sibiu
Published in Review of Ecumenical Studies Sibiu
The Byzantine church chant is a purely liturgical song. The music that is practiced here is primarily linked to the understanding of the text and its comprehension. That’s why the sound-word ratio is very pronounced in the syllabic and semi-melismatic chants. This harmonious relationship between music and poetry is partly destroyed in the very exte...
Published in Review of Ecumenical Studies Sibiu
Published in Review of Ecumenical Studies Sibiu
Nowadays, the drama of the incommunicability of the experience of God is perhaps one of the greatest problems that theology must face if it wants to establish a sincere dialogue with contemporary thought. A visit to contemporary theological art, and concretely to music, is an exercise that should be taken into consideration when one wishes to offer...
Published in Review of Ecumenical Studies Sibiu
Despite the development of the iconographic programs, the frescoes painted by the Grecu brothers remind us not only of the large ensembles beyond the Carpathians in Walachia and Moldova but also other Transylvanian decorations. These frescoes express not only the spirit of the time or the mentality of the community to which they belonged, but they ...
Published in Review of Ecumenical Studies Sibiu
Published in Review of Ecumenical Studies Sibiu
Father Dumitru Staniloae’s complex and integral vision on the Holy Liturgy comprises all the dimensions of life in the church; it constitutes the object of this study, which intends to re-interpret, systematize, and evaluate the teaching of St. Cyril of Alexandria concerning the importance of the Eucharistic Synaxis in the life of the Church. The E...
Published in Review of Ecumenical Studies Sibiu
Published in Review of Ecumenical Studies Sibiu
This work sets out to list and describe the liturgical vestments present in panel and mural paintings of churches located in southern Transylvania. The surviving body of such vestments on display in the ”Brukenthal” National Museum of Sibiu and that of the Black Church of Brașov not only confirms their use in religious services, but also the fact t...
Published in Review of Ecumenical Studies Sibiu