Published in Conjunctions
Participatory art turns the artwork into a process of engagement and co-creation, and it thus involves forms of time-based coordination that influence the experience of creating participatory art. In this paper I argue that participatory art is underscored by two contrasting temporal frameworks. One is the framework of long-term durational approach...
Published in Conjunctions
This article critically reflects on the limitations and challenges of using Cards on the Table (COTT), a participatory research method used to evaluate experiences of participation in art projects. The focus of this article is on the application of COTT as part of our evaluation of BE PART, a four-year Creative Europe Program of the European Union ...
Published in Conjunctions
Participatory art turns the artwork into a process of engagement and co-creation, and it thus involves forms of time-based coordination that influence the experience of creating participatory art. In this paper I argue that participatory art is underscored by two contrasting temporal frameworks. One is the framework of long-term durational approach...
Published in Conjunctions
The crisis of democracy calls upon public art museums to reflect on what is expected from them as public spaces. This article investigates the art museum as an engaged political participant in its local surroundings and the neighborhood assembly as the platform of this participation. Through original interviews with museum professionals, the articl...
Published in Conjunctions
This article critically reflects on the limitations and challenges of using Cards on the Table (COTT), a participatory research method used to evaluate experiences of participation in art projects. The focus of this article is on the application of COTT as part of our evaluation of BE PART, a four-year Creative Europe Program of the European Union ...
Published in Conjunctions
The paper examines the possibilities offered by decentralized autonomous organizations (DAOs) for supporting audience participation in the museum sector . DAOs, a type of digital infrastructure underpinned by blockchains and smart contracts, have been seen as informing a more autonomous, self-managing, transparent, and more efficient online organiz...
Published in Conjunctions
This article investigates the collaborative craft-based art project Data Mirror, launched by the Trapholt Museum of Art and Design in Denmark in March 2022 with artist and weaver Astrid Skibsted. Through the lens of affect theory (Massumi, 2002, 2009), the article explores how the textile making practice and the materials in Data Mirror affected th...
Published in Conjunctions
This essay explores methodological, ethical, and practical aspects of authentically co-creating participatory action research (PAR) in post-Covid 19 participatory arts contexts in the UK. It analyses the limits and possibilities of PAR methods into leadership pathways in the UK’s arts and culture sector. In critical dialogue with decolonial and int...
Published in Conjunctions
In A Passion for Radio: Training of Trainers José Ignacio López Vigil asserts that community radio “is (made) of flesh and bone” (2015, p. 25). In the context of authoritarianism and patriarchy in today’s Nicaragua these words suggest at least three meanings. One recalls threats to the lives and livelihoods of Nicaraguans that work for Nicaragua’s ...
Published in Conjunctions
