Voix « en pièces », approches du théâtre de Marie NDiaye

This article offers to hear and understand Marie NDiaye's theatre through the strange or stranger's "voices" that it comprises, voices tied to characters in a floating manner. It considers the way they contribute to an ambivalent incarnation as the characters are penetrated by "other" voices. These voices are neither linked to a precise frame of reference, nor likened to the truth, and we will see how they invite the audience to capture their complex meshing, often "holed", to make "theatre" in a multiplying of points of view.