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Musicality in human evolution, archaeology and ethnography

Authors
  • Killin, Anton1
  • 1 Victoria University of Wellington, Department of Philosophy, Wellington, New Zealand , Wellington (New Zealand)
Type
Published Article
Journal
Biology & Philosophy
Publisher
Springer Netherlands
Publication Date
Mar 07, 2014
Volume
29
Issue
4
Pages
597–609
Identifiers
DOI: 10.1007/s10539-014-9438-y
Source
Springer Nature
Keywords
License
Yellow

Abstract

This essay reviews Iain Morley’s The Prehistory of Music, an up-to-date and authoritative overview of recent research on evolution and cognition of musicality from an interdisciplinary viewpoint. Given the diversity of the project explored, integration of evidence from multiple fields is particularly pressing, required for any novel evolutionary account to be persuasive, and for the project’s continued progress. Moreover, Morley convincingly demonstrates that there is much more to understanding musicality than is supposed by some theorists. I outline Morley’s review of the archaeological and ethnographic literature, and then go on to critique his assessment of philosophical and evolutionary theories, offering some alternative perspectives that might better benefit his project.

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