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Leiturgía – Ort der musiké: Plädoyer für eine Perspektive auf Kirchen-Musik als heteromodales Ereignis

Authors
  • Leonhardmair, Teresa
Type
Published Article
Journal
Review of Ecumenical Studies Sibiu
Publisher
De Gruyter Open
Publication Date
Dec 01, 2015
Volume
7
Issue
3
Pages
422–440
Identifiers
DOI: 10.1515/ress-2015-0031
Source
De Gruyter
Keywords
License
Green

Abstract

The meaning of music exceeds the mere acoustic noise. Liturgy clarifies that fact. Focusing aesthetic modes music is considered as defined by the ancient Greek term musiké, back then the union of movement/dance, sound, poetry. As performance musiké correlates with liturgy (performance as well) in a special way. The bodily and transcendent dimensions of musiké arise in liturgy – something performative, i.e. evolving from doing. Liturgy and music are connected with bodily presence (incarnation) and movement – the fundament of life. Both corporal actions and expressive dance in liturgy exist as a form of musiké. Using the example of resonance, listening, polyaisthesis, time/space it becomes apparent that musiké is movens, confronting us with the alien, carrying us to foreign spaces. Leiturgía is a specific aesthetic site where church music opens peculiar the human dimension of musiké. Our society is in need of such places.

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