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Close encounter, withdrawn effects

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Wiley-Blackwell Publishing, Inc.
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Keywords
  • 120103 Architectural History And Theory

Abstract

Extending Deleuze’s later writing on the cinema and engaging both film and built work, the article explores what I call the "close-up," an immanent subjectivity of architectural encounter, whereby the architectural surface aggressively colonizes the subject at close range through a touch or by another mechanism I describe as the "withdrawn effect," the surface assimilates the subject.

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