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Die orthodoxe Kirchenmusik als ein bedeutendes Erbe von Byzanz und ihre moderne Rezeption im Westen am Beispiel des „Byzantinischen Kantorenchores München“

Authors
  • Nikolakopoulos, Konstantin
Type
Published Article
Journal
Review of Ecumenical Studies Sibiu
Publisher
De Gruyter Open
Publication Date
Dec 01, 2015
Volume
7
Issue
3
Pages
447–459
Identifiers
DOI: 10.1515/ress-2015-0033
Source
De Gruyter
Keywords
License
Green

Abstract

The Byzantine Music was created within the liturgical life of Orthodoxy and has been developed accordingly in the Eastern Church Worship. Together with the hymnography the Byzantine Music in Orthodoxy has from the beginning taken a central place, especially since there is absolutely no orthodox worship without psalmodic accompaniment. It is one of the most notable achievements in the Byzantine era, for which in the last decades also in Western Europe a great interest is awakened.

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