We have witnessed in recent months a singular phenomenon in relation to the silent Edition. This has been the offset to the first pages of the media of developments related to any of its components, whether the figure of the author, through the intermediary of plagiarism and blacks, the of the critic with controversial and contested selections in the vaults of the transmissible and representable, canon of the own editor as knight errant denunciation and the Armistice. Few times as far as tight as the editorial has been the subject of so much attention world and space news. Never nor this sector it had autocontemplado both on memories, autobiographies, profiles and other unintended writings. Nor had seen before appear so much paraliteratura into the phenomenon of the Edition in its different facets, analyzing it from different perspectives as the pathological or simple police intrigue.