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Time, gesture and attention in a Khyal performance.

University of Texas Press
Publication Date
  • Education
  • Musicology


Durham Research Online Deposited in DRO: 02 September 2011 Version of attached file: Accepted Version Peer-review status of attached file: Peer-reviewed Citation for published item: Clayton, Martin (2007) ’Time, gesture and attention in a Khyal performance.’, Asian music., 38 (2). pp. 71-96. Further information on publisher’s website: Publisher’s copyright statement: This is a pre-copyedited version of an article accepted for publication in Asian music following peer review. The definitive publisher-authenticated version is available through the University of Texas Press. Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-profit purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in DRO • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full DRO policy for further details. Durham University Library, Stockton Road, Durham DH1 3LY, United Kingdom Tel : +44 (0)191 334 3042 — Fax : +44 (0)191 334 2971 Time, gesture, and audience in a khyāl performance 1 Time, gesture and attention in a khyāl performance Martin Clayton Open University Revised submission for Asian Music, Dec 2006 Additional diacritics needed: Subscript dot under d in adacautal Subscript dot under t in baithak, theka, tarab Subscript dot under r in jor, mukhra Subscript dot under both n and t in bant ~ over last n in Nainana men Substitute <sharp> with sharp sign Time, gesture, and audience in a khyāl performance 2 Introduction North Indian rāg performance, especially as practised in intimate and informal settings, is often distinguish

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