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Miller Brittain — A Memory

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La Société La Vie des Arts
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"Miller Brittain — A Memory" Érudit est un consortium interuniversitaire sans but lucratif composé de l'Université de Montréal, l'Université Laval et l'Université du Québec à Montréal. Il a pour mission la promotion et la valorisation de la recherche. Érudit offre des services d'édition numérique de documents scientifiques depuis 1998. Pour communiquer avec les responsables d'Érudit : [email protected] Article Luke Rombout Vie des Arts, n° 57, 1969-1970, p. 64. Pour citer cet article, utiliser l'information suivante : http://id.erudit.org/iderudit/58133ac Note : les règles d'écriture des références bibliographiques peuvent varier selon les différents domaines du savoir. Ce document est protégé par la loi sur le droit d'auteur. L'utilisation des services d'Érudit (y compris la reproduction) est assujettie à sa politique d'utilisation que vous pouvez consulter à l'URI http://www.erudit.org/apropos/utilisation.html Document téléchargé le 16 February 2014 10:28 "Miller Brittain — A Memory" (The following is an excerpt from the catalogue accompanying the Miller Brittain Exhibition, currently touring Canada) MILLER BRITTAIN—A MEMORY by Luke Rombout 1 V \ — - ' ^ \ J fe ^W r When I first met Miller in the summer of 1954 he was. in retrospect, at the height of his career. He was having shows in New York, gaining a reputation in Canada, painting well, and as the cliché goes "living a full l i fe". His wife Connie was then still living and I have seldom seen two people who so beaut- ifully complemented each other They were both quite disorganized individu- als, living in rather small quarters on Chipman Hill in Saint John The interior of their apartment was 1 7th century Jan Steen—a rich conglomeration of ob jec ts , food , furn i ture, books and clothing all strewn in volume and every- where There was or existed a most comfortable atmosphere and it was a good place to be. The kitchen had to be climbed into, so to speak, and Con- n

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