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"The days after" and "the ordinary run of hours": counternarratives and double vision in Don DeLillo's 'Falling Man'

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International American Studies Association
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  • Political Science

Abstract

"The days after" and "the ordinary run of hours": counternarratives and double vision in Don DeLillo's 'Fall ing Man' ������� � A��BC�DEF��B��� ��� ����E��E������E��C�ED��BE������E��DE��C�E��D�����E� �E ��EC� �B� E�� �����������!�BE��DED� A��E!�B���E��E���E ��"����#BE#$�����%E&��#�E'�!��(E��E)������������E�*�����E +� D��B�E,-.E�,-/��E00�E1�23/�E)++4E/��/2�11,EE�!����A��E��E C��0 --����� �����D��%���� 5-���,3- )�E�BE�D!�B�A��E��E�����E��E�C�E0 A��BC��6BE!��B���E��E�� E�����DE��E����E���*E�C�E (��5�E � A��BC�DE!��B���E�� EC��0 --(((���B�(�A���%-0 A��������B-���B�C�*� � A��BC�� E)������������E�*������E+� D��BE�BB�������� ���E� �0 �BE��E7����8'E���E0�������DEA�E)�������� ��E���0����E'�%C�BE��(�E ���� D��%E��0���%C�E��(�E7�0���%C�E��DE)�'E�BE�������DEA�E�C�E�������BE��E��C��E ��0���%C�EC��D��B�E���*BE��DE���D�����BE���E B�E��E�C�BE*�������E���ED�����DE��E �C�E9�DE8B��E�%���*���� (((����D��%���� 5-����� � CentAUR 7������E���C�!�E��E�C�E8��!��B���E��E'��D��% '��D��%6BE��B����CE� �0 �BE������ 72 V o l u m e 3 . 3 – 4 .1 Review of International American Studies T E R R O R A N D S E C U R IT Y ‘THE DAYS AFTER’ AND ‘THE ORDINARY RUN OF HOURS’: COUNTERNARRATIVES AND DOUBLE VISION IN DON DELILLO’S FALLING MAN David Brauner The University of Reading The publication in 2007 of Don DeLillo’s fourteenth novel, Falling Man, was keenly anti- cipated and then indifferently received. As many reviewers observed, DeLillo had already dealt in previous novels with the issues that 9/11 seemed to crystallize: inter- national terrorism, the global impact of American politics and culture, the relationship between the media television—in particular—and the events on which it reports. Cit- ing a number of examples (the Happy Valley Farm Commune in Great Jones Street (1973), the Radical Matrix in Running Dog (1978), Ta Onómata in The Names (1982)), John Leon- ard points out that terrorist groups are ubiquitous in DeLillo and argues that ‘some k

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