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Redfield, James Adam Gutfeld, Tamar
Published in
Naharaim
The trilingual author Mikhah Yosef Berdichevsky (1865–1921) is widely known as a literary modernist and a rebel against Jewish socio-religious conventions. Yet he also developed an original dialectical way of thinking about Jewish tradition. Berdichevsky’s theory of tradition is partly elaborated in his undeservedly obscure Yiddish stories. In orde...
Miranda O'Shea, Flavia
The present essay attempts a psychoanalytic interpretation of F. Scott Fitzgerald’s Jay Gatsby’s id, superego, ego, and core issues. The first stage of the paper offers an analysis of Gatsby’s id, superego and ego; and finds that the id largely rules his behaviour, with few instances where the ego takes control and manifests the superego. The secon...
Freer, AW
This essay argues that psychoanalytic literary criticism has largely failed because it has assumed that literature and psychoanalysis share common analytical ground. I contend that psychoanalytic approaches necessarily deform literature, that literary readings deform psychoanalytic theory, and that the assumption of commonality between poetics and ...
Murray, Jennifer
It is unlikely that Jacques Lacan and Alice Munro were ever aware of each other's work. Yet, because of Munro's intuitive grasp of the complexities of human subjectivity and her ability to articulate subtleties and ambiguities, her fiction shares many of the insights of Lacan's theoretical advancements of the same period. They are both concerned wi...
Agnell, Emma
This essay examines the sadomasochistic relationship between the main characters of the Twilight Saga from a psychoanalytic perspective, and looks at the family and gender roles in the Saga from a post-feministic view. Aspects also considered are the portrayal of female sexuality as something dangerous and negative, recreational sex as something pe...
Holland, Norman N.
Published in
Journal of Applied Psychoanalytic Studies
This immense field can be summarized by recognizing that the psychoanalytic critic must address one or more of three minds: the author's, the reader's, or a mind derived from the text. The critic can then address them from any theoretical point of view. The future of psychoanalytic criticism, and indeed of psychoanalysis, lies in integrating the di...