Published in Trends in Classics
Despite the prevalence of audience-centred drama criticism, very little is actually known about the composition or nature of theatre audiences in antiquity. Metatheatrical passages in Plautus’ and Terence’s comedies in which the audience is described or addressed are usually treated as historical evidence for real-life theatre audiences in Republic...
Published in SAECULUM
Televisual discourse represents a form of mass communication where the relationship between the orator and the audience is mediated by technology, significantly complicating the dynamics of interaction. In contrast to traditional discourse, where the orator and the audience share the same physical space and can interact directly, in the case of tel...
International audience
International audience
Published in Frontiers in Sociology
Public relations practices are widely accompanied by communication and persuasion. Especially today, when new media platforms provide direct accessibility, communication through PR has become more improved. This research focused on media organizations in the UAE, with a special consideration given to their audience content management. The researche...
International audience
Published in Science & medicine in football
The effects of audiences in boosting the performance of the home team (i.e., home advantage) in sports like soccer have been studied extensively. However, much less attention has been paid to how audiences influence the performance of individual team members. This study aimed to investigate the effect of audiences on the performance of home and awa...
Published in Frontiers in Sports and Active Living
Introduction The golden section or golden ratio (61.8% or 0.618) is a mathematical phenomenon that appears in art, literature, music and nature with such ubiquity that it is thought to be a fundamental principle of aesthetic organisation. The golden ratio also manifests in sport, particularly as the proportion of wins to losses required to win a Ma...
International audience
Since Roland Barthes first published his essay “Le mort de l’auteur” (“The death of the author”) in the 1960s, literary critics have reconsidered the role of the author in the interpretation of media. Barthes and others have argued that the author’s intentions matter little after a work of art is handed off for public consumption, and that art is u...
