Rinaldi, Clémence
Cet article analyse les stratégies mises en œuvre par l’Union des Femmes Peintres et Sculpteurs, en tant que première société d’artistes femmes en France, pour rentrer dans le moule et se fondre dans le paysage artistique de la fin du XIXe siècle. Alors que de nombreux préjugés pèsent sur la pratique artistique des femmes et entravent leur carrière...
Abad de los Santos, Belén
Despite glimpses of what appear to be signs of equality, the art system still resists fully incorporating the “Other” artists into its narrative. In fact, the asymmetrical representation of women artists in Visual Arts museums continues to illustrate the predominant trend, if statistics are taken into account. This article highlights perceptions of...
Dias, Elaine
The theme of travelers is recurrent in the history of Brazilian art, especially with regard to the passage of male artists through Rio de Janeiro. However, some women also crossed the Atlantic to show their artistic productions, participate in exhibitions and teach painting and drawing classes. This article aims to analyze the trajectory of two Fre...
Bornø, Aisha Lovise Maud
This thesis examines the experiences of Scandinavian women artists who travelled to Paris in the early twentieth century and encountered new freedoms, opportunities, and inspirations away from their home countries. A rich international field of study already positions women artists in histories of modernism, yet feminist approaches have had little ...
Uncal, Lucía
The entry of women into the theatrical activity is one of the main problematic knots in the process of professionalization of comedians in the Hispanic Monarchy’s territories during the Early Modern Period. Specifically, the incorporation of comediennes into a theatrical company contemplated their inclusion within specific corporate networks and th...
Foucher Zarmanian, Charlotte
Dans son article fondateur « Pourquoi n’y a-t-il pas eu de grands artistes femmes ? » paru dans ARTnews en 1971, l’historienne de l’art Linda Nochlin note que « [l]e choix offert aux femmes se pose semble-t-il toujours entre le mariage et une carrière – entre la solitude qui est la rançon du succès ou la sexualité et une compagnie qui récompensent ...
Maiztegui Oñate, Concepción Esesumaga, Eztizen Gandarias Goikoetxea, Itziar
There is a large body of research on the role of artists in eliciting dialogue around contemporary social issues and in framing the way we see, think, and act. In this article, we approach the experiences of four women artists, all of them living in Biscay —Saray Pérez Castilla, Mirian Isasi, Olga Ruiz and Argenis Mesa— whose audiovisual work has r...
Luengo Aguirre, Maite
In the 1990s, artistic creations around bodies by female artists proliferated. Considering the historiographic capacity of the exhibitions, we analyse the way in which these authors are being treated in the Basque context. We begin by presenting the novelties of the pioneering case of Feminist Genealogies in Spanish Art: 1960-2010 of the MUSAC in L...
Zhdanova, Elizaveta
[ES] ¿El tema de emigración mediante el foto-collage en la obra literaria de Joseph Brodsky¿ es una investigación que testimonia la importancia del collage fotográfico en el arte actual y versa sobre su manifestación artística desde las vanguardias a la actualidad. Testimoniando fundamentalmente todos aquellos artistas que se han servido de textos ...
Llácer Llácer, Ana Mª
[ES] El trabajo de fin de grado que se presenta a continuación detalla el proceso de creación e investigación de obra producida y referenciada con la finalidad de visibilizar las aportaciones que realizaron las mujeres al patrimonio cultural nacional e internacional del siglo XX, centrándose en algunas de las conformantes del grupo Las Sinsombrero....