Marseille as a port city that is in constant flux carries out a vast array of qualities and experiences that creates a dynamic collection in which heterogenous conventions, orders, and routines interrelate and collide. It is a complex urban network of places and fragments that come together in this context of ‘otherness’.
Analysing Marseille throug...
The present paper by the Spanish author of the Frenchwritten theatre play En Marge! and the professor in charge of its collaborative translation into Spanish, aims to analyze the creation and recreation resources of a play in a diglossic context. In this sense, we will evoke different key aspects regarding critical reflexion around theatre translat...
The present article aims to analyse the presence of the epistolary material in the work of Robert Pinget. Essential author of the French New Novel, the writer instrumented the letter device in favor of the rupture practices of this literary renewal, in order to convey the expression of subjectivity. In the field of theatrical experimentation, Pinge...
In this text we try to show how the description of the characters in Endgame inhibits the effect of identification and defines, to a certain extent, the dramatic composition of the play which, devoid of progressive action, and therefore of tensions or conflicts, communicates Beckett's Nothing to be done in front of the destroyed world.
A partir del análisis de algunos mecanismos cómicos del absurdo en Don Juan Tenorio «El refugiao» —obra paródica del dramaturgo exiliado Juan Mateu estrenada en Toulouse en 1958—, el artículo pretende demostrar la persistencia de una tradición que no se remonta sólo a La venganza de don Mendo de Muñoz Seca (el cual no fue ni mucho menos, como demas...
