El objetivo de este artículo es analizar el recurso sistemático a la referencia literaria en la obra narrativa de Jorge Semprún, tomando como objeto de estudio L’écriture ou la vie (1994). Lejos de ser una mera ilustración su propio capital cultural, la alusión y cita a otros autores será conceptualizada como una expresión del trauma propio de la e...
Abstract: In literature and the visual arts, autobiography and photography have traditionally been vested with an aura of archival authenticity. As a category of contemporary autobiography that claims its own fictionality, autofiction breaks this assumption. Self- portrait photography, too, since its origins, has challenged its own documentary stat...
The atrocious experience of living and surviving in a German concentration camp during World War II derived in a key issue as the representation of said experiences - which had to keep a non-literary perspective, away from mere testimony - started to appear, at least involuntarily at first, from an aesthetic way of the historical fact. Then, the pr...
This paper analyzes the construction of Jorge Semprún’s autobiographical discourse. We consider his literary work always arises as a response to the word of others; as a dialogue with otherness. In a materialization of the Bakhtinian conception of verbal creation, each statement comes in response to a previous statement, as a link that weaves an in...
A partir d un paradigme indiciaire inspiré par Carlo Ginzburg, tressant Histoire et histoires, archives et paroles vives, cette recherche transdisciplinaire sur l œuvre génériquement inclassable de Jorge Semprun interroge les liens entre la Résistance et la résilience, le traumatisme et l écriture. De la Guerre d Espagne aux maquis de Bourgogne, de...
There are many testimonies preserved in archives that recount the horror of the Holocaust and that have become resources for historical and social research. In addition to testimonies produced with descriptive intention or in the full awareness of becoming documents for historians, some testimony writers have signed their books with a literary inte...