Teodorescu, Marius-Alexandru
Published in
Theatrical Colloquia
The COVID-19 pandemic has radically changed our perception of our own bodies and, implicitly, of the bodies of those around us. One’s body becomes a potential source of disease and needs to be protected, permanently isolated from the others and hidden behind different kinds of personal protection equipment. The aim of this study is to review the im...
Cozma, Diana
Published in
Theatrical Colloquia
The ways of approaching, treating and interpreting the theatre underwent major changes in the second half of the twentieth century. As Peter Brook’s research contributes decisively to changing the perspective of understanding the nature and the meanings of theatre, the present paper aims to highlight and briefly analyze the most relevant stages of ...
Ciofu, Anca
Published in
Theatrical Colloquia
One of the shows invited to attend the 14th Edition of the Iaşi International Theater Festival for Young Audiences (FITPTI), outstanding performance with classic short string puppetry, was performed at the Small Hall of the Luceafărul Theater by String Theater from Great Britain. The London Company relies on the charm of the long strings animating ...
Cornici, Antonella
Published in
Theatrical Colloquia
Risk stands at the beginning of creation – this is the first thing you learn by working with Hausvater, immediately followed by another one of his sayings: In theatre there is no I cannot, there is only self-limitation! Maybe exactly between these two „rules” the world named Alexander Hausvater flourishes, and these „rules” have enough strength and...
Vicovan, Ana
Published in
Theatrical Colloquia
When a child is forced to begin treatment for a lifethreatening condition, both the child and his or her entire family are affected. The shock of diagnosis, the effects and the costs of treatment, can have powerful consequences on a number of levels, both immediate and long-term. Most people see the hospital as an environment that has nothing to do...
Crişan, Sorin
Published in
Theatrical Colloquia
The search for the specificity of the arts implies a reevaluation of the concept of identity and of the relations it draws with the ideology and morality of the time in which the work is represented, on the one hand, and with becoming, and, thus, with the being of creation, on the other hand. Our study takes into account the performing arts (but al...
Petcu, Ioana
Published in
Theatrical Colloquia
Palgrave Macmillan Publishing House contributions on Global/International Theatre and Performance topics continued in 2021 by a new title 20 Ground- Breaking Directors of Eastern Europe edited by Kalina Stefanova and Marvin Carlson. The book is an important sign taken into consideration by its authors, especially since the theatre, in the last year...
Stanciu, Alba Simina
Published in
Theatrical Colloquia
The complicated physiognomy of dance in the XX-th and XXI-th century obviously exeedes the stable marks of „beauty” as an aesthetic category, by extending the limits of imaginary and techniques of artistic productions beyond any restraints. Both form and artistic expressions become suitable for specific interpretations, through the instruments and ...
Hedeş, Bianca
Published in
Theatrical Colloquia
The aim of this article is to point out the acute need of artistic classes for children with ages between 5 and 12 years after one year and a half of online activitities imposed by the SARS CoV-2 pandemic. The 2021 school year brought to the parents’ attention the gaps their children have experienced in terms of sociability. The ease they used to h...
Lupan, Raluca
Published in
Theatrical Colloquia
The initial starting point in directing and choreographic process in developing the `Love`trilogy: the core and heart of the idea behind creating a performative trilogy concerning the theme of love has been the reflecting studies of the performers involved in the creational process. These spectacular and performative sequences begin with `Savage/Lo...
